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Carter Sigl's Top Ten Films of 2016

2/26/2017

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Every year, I struggle to write one of these Top Ten lists. I’m certain that in a few months I’ll look back at this list and think “Why wasn’t X movie on it?” and “That one shouldn’t have been.” But regardless, I will now attempt to put together my ten favorite films of the year. Judging by my taste in movies, it should be an interesting selection. So, let’s get started.
Also, Honorable Mentions:

Kubo and the Two Strings

Moonlight

Hell or High Water
​
Captain America: Civil War

The Little Prince

10 Cloverfield Lane

Silence

10 - Sausage Party

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Okay- I am aware of the fact that in terms of film-making quality Sausage Party is far inferior to anything else on this list. And yet, it’s still on the list because, of all the movies I saw over the year, this one made me laugh the most (and considering how many of the movies on this list are comedies, that’s no small feat). A horror comedy about talking food that realize they will soon be eaten, this is a movie that has everything from stupid food puns to highly offensive ethnic stereotypes to extremely graphic violence. Oh, and did I mention the giant food orgy at the end? I know, it’s incredibly dumb- but I dare you to watch and not have a damn good time. 
You can read Carter Sigl's review of Sausage Party here.

9 - Moana

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​The Third Disney Golden Age (or Second Disney Renaissance) is still going strong. In contrast to Disney’s other release this year (I’ll get to that soon), Moana is a classic Disney fantasy story, but updated for the 21st century. This includes both animation technology (the film is absolutely gorgeous), the music (I hate how Lin Manuel Miranda is more talented than I ever will be) and content wise (it’s always good to see more women and people of color as protagonists). Plus, it has Dwayne ‘The Rock’ Johnson singing. What more could you ask?
You can read Carter Sigl's review of Moana here.

8 - Rogue One: A Star Wars Story

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I struggled with the placement of Rogue One on this list, since last year I placed The Force Awakens in slot number four and later regretted it. Now the opposite will probably happen and I’ll regret not placing it lower. But regardless, Rogue One is the movie that shows that the Star Wars franchise has room for lots of different kinds of movies. Whereas the other entries are epic space operas, this is a dark, gritty war movie. I had always wondered what a darker Star Wars movie would be like, and know I have my answer: it is awesome. 
You can read Carter Sigl's review of Rogue One: A Star Wars Story here.

7 - Green Room

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​New studio A24 (who have released three of the films on this list) and director Jeremy Saulnier (creator of Blue Ruin) both continue to impress with Green Room. The way I see it, there’s two good kinds of horror movie- compelling psychological horror and edge-of-your-seat thriller films, and Green Room is an excellent example of the latter. I can’t remember the last film I saw that created tension and suspense as well as this movie. Plus, whoever would have thought that Patrick Stewart would play such a good Nazi? Although it was unfortunately one of Anton Yelchin’s last roles, Green Room will go down as one of the best horror-thrillers of the decade.
You can read Eric Tatar's review of Green Room here.

6 - Arrival

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After already proving himself with the excellent Prisoners and Sicario, French Canadian director Denis Villeneuve continues to distinguish himself as one of Hollywood’s new great directors with Arrival. The story of humanity’s first contact with extraterrestrial life, Arrival is certainly the most intelligent movie of the year, which is especially refreshing considering how rare smart sci-fi movies are. This, in combination with Bradford Young’s impeccable cinematography and a tour de force by Amy Adams (the fact that she wasn’t nominated for an Oscar this year but Meryl Streep was for the fiftieth time appalls me) creates one of the best sci-fi films of the 21st century so far. Now we just wait and see how Villeneuve’s Blade Runner 2049 is like.
You can read Arjun Agarwal's review of Arrival here.

5 - Zootopia

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​For a long time I struggled with which of Disney’s two movies I should put on this list, until eventually I came to the realization of: “Why not both?” Like I said above, Zootopia is very different from Moana, being a buddy cop movie (or bunny-cop movie) with talking animals. It’s clever, funny, and incredibly entertaining. But what really bumps this movie up so high is its message regarding tolerance, prejudice, and pre-judging someone because of who they are. Although some complained the movie’s message is heavy-handed, judging by recent events I don’t think this is at all a bad thing (some anvils need to be dropped after all).
You can read Gabrielle Ulubay's review of Zootopia here.

4 - Deadpool

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​Hey everyone! It’s me again: Deadpool! I know you’ve all been missing me, so I thought I’d stop in and say hi! So it turns out, people like me. I know, shocker, right? In fact, judging by the giant checks I keep getting in the mail, people like me almost as much as they like Jesus! I am pissed off that the Academy didn’t just mail me all the Oscars though- I mean, they nominated Meryl Streep for fucking Florence Foster Jenkins and I get nothing?! Fuck that shit, who needs em’- I’ve got a sequel to make!
You can read Deadpool's review of Deadpool here.

3 - The Lobster

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​Almost certainly the least-known movie on this list, The Lobster is a masterfully dark, cynical comedy. It has no clear message- it starts by satirizing our compulsive need to be a part of relationships, then turns around and makes fun of people who aren’t in relationships. Its equal opportunity humor and just sort of hates everything, demonstrated by the film’s ability to make you laugh at some really awful subjects. Although the bizarre premise (people who can’t find love are turned into animals) and grim tone will ensure that it remains a highly niche film, I think The Lobster is one of the funniest films released in quite some time. 
You can read Carter Sigl's review of The Lobster here.

2 - Swiss Army Man

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Alright, alright, I know what you’re thinking: “Why is the Daniel Radcliffe farting corpse movie on your top ten of the year list?” Well, as you have surely figured out from the list already, I love bizarre, absurdist humor, and in a year chock-full of this type of comedy, Swiss Army Man stands at the top of the pack. Weird, crass, yet oddly poignant, Swiss Amy Man will make you laugh by using Daniel Radcliffe’s fart-filled body as a speedboat and yet still make you smile at the budding friendship between him and Paul Dano and the life lessons they learn as they travel back to civilization. It is a wholly unique film, and I doubt that I’ll anything as weird and wonderful for some time (excepting, of course, the last entry on this list). 
You can read Carter Sigl's review of Swiss Army Man here.

1 - The Neon Demon

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​I still can’t believe I saw advance screenings of Swiss Army Man and The Neon Demon on the same day- by the time the credits rolled for Refn’s latest film I was sure I was in some sort of fever dream. I’m really not sure what it says about my mental state that this is my favorite film of the year, but it’s just so bizarre and horrible and incredibly beautiful. A cynical look at the nature of beauty, desire, envy, and power, Refn looks at the world of high fashion and sees a world filled with monsters. It is certain to shock and appall you, but sometimes that is what the best cinema does. It is a movie that, if nothing else, you will never forget. 
You can read Carter Sigl's review of The Neon Demon here.
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