Editor's note: It is once again time for our yearly movie round-up- the rest of this week we will be publishing lists of our writer's favorites films. Note that these are not the movies that we think are the objectively best, merely our personal favorites. So, please enjoy.
2016 was a terrible year for everything except for film. Amidst this horror show of a year, some really incredible filmmakers put out some really incredible works of art. After much agony, I have compiled my definitive top ten films of the year (along with a few honorable mentions, because why not). Editor's note: It is once again time for our yearly movie round-up- the rest of this week we will be publishing lists of our writer's favorites films. Note that these are not the movies that we think are the objectively best, merely our personal favorites. So, please enjoy. The first of five A24 releases featured in my 2016 movie roundup, 20th Century Women is a funny and poignant story about three women in the 1970s who band together to raise a boy. These women are all in the boy’s life in incredibly different capacities: Julie, seventeen, is his friend; Abbie, mid-twenties, is renting the spare room in his house; Dorothea, mid-fifties, is his mother. While trying to sort out the best way to raise a good man without a man to raise him, these three Twentieth Century women explore love, sex, and their own personal happiness. The casting of this film is flawless: Annette Bening is AMAZING as always, Elle Fanning is lovely, and Greta Gerwig is truly at her best. Its concern with feminism is a powerful and important message that easily spans from the 1970s setting to modern day. As the rest of this list will continue to prove, I am a huge fan of A24. In their four short years of existence, they have truly done no wrong in my eyes. Their release American Honey is no exception. A road movie about a “mag crew” (a traveling magazine sales group), the film is a candid look at Middle America and has a kickass soundtrack. One of the film’s greatest assets is the chemistry between Shia LaBeouf and newcomer Sasha Lane, who was discovered while on spring break in Florida. The way Jake (Shia) charms Star (Sasha) makes him incredibly charismatic, despite his disgusting rat tail hairdo. At a whopping two hours and forty-three minutes, American Honey is a long but engaging road trip with an ensemble cast made up entirely of first-time actors, aside from Shia LaBeouf and Riley Keough. This cast assists director Andrea Arnold in telling a raw story about young adults with no one to turn to but each other. If Daniel Radcliffe hadn’t already broken free from the Harry Potter pigeonhole, he certainly has now. Another A24 release, Swiss Army Man features Radcliffe as a farting corpse whose boner is a compass, along with Paul Dano as his lost and depressed companion. Critically, this film has received mixed reception, and I think that is due to how goddamn weird it is. To me, however, that is what makes it so endearing. I had never seen anything like this before and, in today’s film industry of franchises and reboots, that is something I cannot often say. Despite all its hilarious crassness, Swiss Army Man is a lovely and surprisingly touching story about friendship. To the critics who were shocked by its weirdness: the one sheet features Paul Dano riding on the back of Daniel Radcliffe’s corpse. Come on, what did you really expect? I would be remiss if I didn’t mention by complete obsession with Richard Linklater. I truly think he’s a cinematic genius and I love basically everything he’s ever done. So when I heard that a so-called spiritual sequel to Dazed and Confused was to be released, I was over the moon and could not wait to see it. Luckily, my expectations were generously met. Everybody Wants Some!! is basically an 80s college version of Dazed. It depicts a few days in the lives of college baseball players in the short time between move-in and the start of classes. Packed with drugs, sex, and rock ‘n’ roll, the film is a non-stop good time. The cast is an all-star ensemble whose bromantic chemistry is apparent throughout. Though Everybody Wants Some!! comes in at number seven on my list, it comfortably rests as the film that I saw in theaters the most times this year (four). Going off just its title, I expected Hunt For the Wilderpeople to be some dramatic film about searching for a group of nomads in the wilderness. I was maybe one-third correct. This latest film from Kiwi director Taika Waititi follows a curmudgeon and his foster son as they become targets of a manhunt after running off into the New Zealand bush. Ricky Baker, the son, is played by Julian Dennison who is a hilarious spitfire of a performer. He’s only fourteen years old, but he held his own alongside Sam Neill, a veteran actor with decades of experience. As a director, Waititi is a comic wizard. He’s directed a few episodes of Flight of the Conchords (he’s close friends with Bret and Jemaine), as well as co-directed a mockumentary with Jemaine about four vampires cohabitating in a flat. Hunt For the Wilderpeople showcases the talents of its entire cast and crew, who made one of the most genuinely “feel good” films of the year. When I first heard about La La Land, I’m fairly certain that I rolled my eyes and audibly groaned. Yes, Ryan Gosling and Emma Stone have chemistry, but enough is enough. I was incredibly skeptical, but what got me to see it was boy genius Damien Chazelle (I truly love that man). I’ve never been happier to say that I was wrong to roll my eyes. This movie was a work of art through and through. Every little detail harkened back to the days of MGM movie musicals, including the film’s title card. Every single frame was stunning to look at. Gosling and Stone played off each other well, as always (she says, begrudgingly). Justin Hurwitz’s soundtrack and score are phenomenal, combining jazz and showtunes effortlessly. It is a perfect escapist film that is being released exactly when it is needed. La La Land was pretty, moving, and blew my expectations completely out of the water. No movie this year has packed a punch quite like Jeremy Saulnier’s Green Room. A punk band, helmed by Anton Yelchin and Alia Shawkat, witnesses a crime at a small club in the middle-of-nowhere in Oregon. This club just happens to be run by a group of neo-nazis who push drugs and happen to be led by a mean and scary Patrick Stewart. So clearly, this band is not going anywhere after what they just witnessed. The film is absolutely relentless from the start. Fast paced and violent, this film is almost difficult to watch but so engaging that you can’t look away from the screen. Yelchin’s performance is one of his usual high caliber, and is one of his last roles before his tragic passing this summer. Green Room is an hour-and-a-half long adrenaline rush, filled with brutal violence and impressive performances. My top ten list this year is full of films I never imagined myself loving so much. The Edge of Seventeen epitomizes this unexpectedness. Starring Hailee Steinfeld, this film is a coming-of-age high school movie about a painfully awkward teen named Nadine fumbling her way through junior year. I consider myself just over the brink of this film’s assumed target demographic, but it turns out that it appeals to viewers of all ages. Nadine’s insecurities and existential dread transcend teenagehood, making her character relatable to more than just fellow high schoolers. Steinfeld’s performance is one of the film’s strengths, packed with wit and keen comedic timing. She’s already been nominated for an Oscar, but this role cemented her as one of the greats of our generation. On the whole, The Edge of Seventeen is a sharply written film for teens and adults alike, allowed to be raw by its R-rating. Its themes of friendship and insecurity are everlasting and make it sure to stand the test of time. I am obsessed with the art of comedy, so obviously Mike Birbiglia is one of my favorite people. Everything he does is so smartly written and poignantly raw. This year, he released his second feature film, Don’t Think Twice. It tells the story of a New York improv troupe, the members of which are grappling with their ideas of fame, success, and failure. Although it is a film about comedy and features several fantastic comedians, this film is incredibly sad and deals with the tough questions that performers are faced with as they get older: When should you give up? What is success, really? What defines you as a failure? Now, there are certainly no concrete answers to these questions, but Birbiglia and the rest of the cast try to answer them on an individual level. Birbiglia’s bleak honesty shines through as always, making this film feel almost like a personal journal entry. The questions posed by Don’t Think Twice are ones applicable to anyone, not just comedians, making it a relatable film for anyone “coming-of-age” in any stage of life. Finally, we reach number one, which happens to be the one I have seen most recently. With an immense amount of Oscar buzz surrounding it, Manchester By the Sea had my expectations set unreasonably high. Despite this, my expectations were met and then some. Featuring strong performances by Casey Affleck, Michelle Williams, and Lucas Hedges, the film is a meditation on the different manifestations of grief and how to continue to live after tragedy strikes. How this family copes with the hand they’ve been dealt unfolds before your eyes in a nuanced way, with no facet of the story ever over explained. Writer/Director Kenneth Lonergan crafted a perfect film and each member of the cast rose to the occasion. Moving and deeply funny, Manchester By the Sea is a beautiful way to finish off my top ten list and finish off the year.
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